下面為大家介紹的是一個SAT寫作的經典例子，是關于偉大的音樂家貝多芬的生平的。貝多芬的經歷是非常曲折坎坷的，在SAT寫作例子中非常具有代表性。下面大家就和小編一起來看看這個關于貝多芬的SAT寫作例子的詳細內容吧。

　　Beethoven，German composer. He is universally recognized as one of the greatest composers of the Western European music tradition. Beethovens work crowned the classical period and also effectively initiated the romantic era in music. He is one of the few artists who genuinely may be considered revolutionary.

　　Life

　　Born in Bonn, Beethoven showed remarkable talent at an early age. His father, a court musician, subjected him to a brutal regimen, hoping to exploit him as a child prodigy. While this plan did not succeed, young Beethovens gifts were recognized and nurtured by his teachers and by members of the local aristocracy. In 1787 Beethoven first visited Vienna, at that time the center of the music world. There he performed for Mozart, whom he greatly impressed.

　　In 1792 Haydn invited him to become his student, and Beethoven returned to Vienna, where he was to remain permanently. However, Beethovens unorthodox musical ideas offended the old master, and the lessons were terminated. Beethoven studied with several other eminent teachers, including Antonio Salieri, but was developing according to his own singular genius and could no longer profit greatly from instruction.

　　Both his breathtaking piano virtuosity and his remarkable compositions won Beethoven favor among the enlightened aristocracy congregated at Vienna, and he enjoyed their generous support throughout his life. They were tolerant, too, of his notoriously boorish manners, careless appearance, and towering rages. His work itself was widely accepted, if controversial, and from the end of the 1790s Beethoven was not dependent on patronage for his income.

　　The year 1801 marked the onset of Beethovens tragic affliction, his deafness, which became progressively worse and, by 1817, total. Public performance eventually became impossible; but his creative work was not restricted. Beethoven never married; however, he was stormily in and out of love all his life, always with women unattainable because of marriage or station. His personal life was further complicated when he was made the guardian of his nephew Karl, who caused him much anxiety and grief but to whom he nevertheless remained fondly attached.

　　Beethoven died, after a long illness, in the midst of a fierce thunderstorm, and legend has it that the dying man shook his fist in defiance of the heavens.

　　Compositions

　　By the 19th cent., Beethovens work could already be divided into three fairly distinct periods. The works of the first period include the First and Second Symphonies; the first three piano concertos ; the first group of string quartets ; and a number of piano sonatas, among them the Pathique and the Moonlight Sonata .

　　Although the compositions of the first period have Beethovens unmistakable breadth and vitality, they are dominated by the tradition of Haydn and Mozart.

　　Beginning about 1802, Beethovens work took on new dimensions. The premiere in 1805 of the massive Third Symphony, known as the Eroica , was a landmark in cultural history. It signaled a definitive break with the past and the birth of a new era. The length, structure, harmonies, and orchestration of the Eroica all broke the formal conventions of classical music; unprecedented too was its intention to celebrate human freedom and nobility. The symphony was originally dedicated to Napoleon, who at first symbolized to Beethoven the spirit of the French Revolution and the liberation of mankind; however, when Napoleon proclaimed himself emperor, the disillusioned composer renamed his work the Heroic Symphony to celebrate the memory of a great man.

　　The works of Beethovens middle period, his most productive, include the Piano Concertos No. 4 and No. 5 ; the Razumovsky Quartets ; his Ninth Sonata for violin, the Kreutzer Sonata , and his one Violin Concerto ; the Fourth through Eighth Symphonies ; a number of piano sonatas, among them the Waldstein and the Appassionata . His sole opera, Fidelio, was produced in its first version in 1805 and in its final form in 1814. Beethoven wrote four overtures for the opera, three of them known as the Leonore Overture. He also composed overtures to Collins Coriolan and to Goethes Egmont . From about 1813 to 1820 there was some slackening in Beethovens productivity, probably due in part to difficulties concerning his nephew.

　　Beethovens final period dates from about 1816 and is characterized by works of greater depth and complexity. They include the demanding, nearly symphonic Hammerklavier sonata and the other late piano sonatas; the monumental Ninth Symphony with its choral finale based on Schillers Ode to Joy; and the Missa Solemnis . The last five string quartets and the Grosse Fuge , composed in his last years, are considered by many music lovers to be Beethovens supreme creations, and by some the most sublime music ever composed.

　　An extraordinarily prolific composer, Beethoven produced, in addition to the works mentioned, sonatas for violin and piano and for cello and piano; string and piano trios; music for wind instruments; miscellaneous piano works, including the popular bagatelle Elise ; over 200 songs; a number of shorter orchestral works; and several choral pieces.

　　Beethovens influence on subsequent composers has been immeasurable. Aside from his architectonic innovations and expansion of the classical sonata and symphony, he brought to music a new depth and intensity of emotion that was emulated by later romantic composersbut probably never surpassed.

　　以上就是關于貝多芬的SAT寫作經典例子的全部內容，非常詳細的介紹了他的生活以及作曲的過程。這是一個應用范圍非常廣泛的SAT寫作例子，大家在很多SAT寫作題目中都可以應用。

　　下面為大家介紹的是一個SAT寫作的經典例子，是關于偉大的音樂家貝多芬的生平的。貝多芬的經歷是非常曲折坎坷的，在SAT寫作例子中非常具有代表性。下面大家就和小編一起來看看這個關于貝多芬的SAT寫作例子的詳細內容吧。

　　Beethoven，German composer. He is universally recognized as one of the greatest composers of the Western European music tradition. Beethovens work crowned the classical period and also effectively initiated the romantic era in music. He is one of the few artists who genuinely may be considered revolutionary.

　　Life

　　Born in Bonn, Beethoven showed remarkable talent at an early age. His father, a court musician, subjected him to a brutal regimen, hoping to exploit him as a child prodigy. While this plan did not succeed, young Beethovens gifts were recognized and nurtured by his teachers and by members of the local aristocracy. In 1787 Beethoven first visited Vienna, at that time the center of the music world. There he performed for Mozart, whom he greatly impressed.

　　In 1792 Haydn invited him to become his student, and Beethoven returned to Vienna, where he was to remain permanently. However, Beethovens unorthodox musical ideas offended the old master, and the lessons were terminated. Beethoven studied with several other eminent teachers, including Antonio Salieri, but was developing according to his own singular genius and could no longer profit greatly from instruction.

　　Both his breathtaking piano virtuosity and his remarkable compositions won Beethoven favor among the enlightened aristocracy congregated at Vienna, and he enjoyed their generous support throughout his life. They were tolerant, too, of his notoriously boorish manners, careless appearance, and towering rages. His work itself was widely accepted, if controversial, and from the end of the 1790s Beethoven was not dependent on patronage for his income.

　　The year 1801 marked the onset of Beethovens tragic affliction, his deafness, which became progressively worse and, by 1817, total. Public performance eventually became impossible; but his creative work was not restricted. Beethoven never married; however, he was stormily in and out of love all his life, always with women unattainable because of marriage or station. His personal life was further complicated when he was made the guardian of his nephew Karl, who caused him much anxiety and grief but to whom he nevertheless remained fondly attached.

　　Beethoven died, after a long illness, in the midst of a fierce thunderstorm, and legend has it that the dying man shook his fist in defiance of the heavens.

　　Compositions

　　By the 19th cent., Beethovens work could already be divided into three fairly distinct periods. The works of the first period include the First and Second Symphonies; the first three piano concertos ; the first group of string quartets ; and a number of piano sonatas, among them the Pathique and the Moonlight Sonata .

　　Although the compositions of the first period have Beethovens unmistakable breadth and vitality, they are dominated by the tradition of Haydn and Mozart.

　　Beginning about 1802, Beethovens work took on new dimensions. The premiere in 1805 of the massive Third Symphony, known as the Eroica , was a landmark in cultural history. It signaled a definitive break with the past and the birth of a new era. The length, structure, harmonies, and orchestration of the Eroica all broke the formal conventions of classical music; unprecedented too was its intention to celebrate human freedom and nobility. The symphony was originally dedicated to Napoleon, who at first symbolized to Beethoven the spirit of the French Revolution and the liberation of mankind; however, when Napoleon proclaimed himself emperor, the disillusioned composer renamed his work the Heroic Symphony to celebrate the memory of a great man.

　　The works of Beethovens middle period, his most productive, include the Piano Concertos No. 4 and No. 5 ; the Razumovsky Quartets ; his Ninth Sonata for violin, the Kreutzer Sonata , and his one Violin Concerto ; the Fourth through Eighth Symphonies ; a number of piano sonatas, among them the Waldstein and the Appassionata . His sole opera, Fidelio, was produced in its first version in 1805 and in its final form in 1814. Beethoven wrote four overtures for the opera, three of them known as the Leonore Overture. He also composed overtures to Collins Coriolan and to Goethes Egmont . From about 1813 to 1820 there was some slackening in Beethovens productivity, probably due in part to difficulties concerning his nephew.

　　Beethovens final period dates from about 1816 and is characterized by works of greater depth and complexity. They include the demanding, nearly symphonic Hammerklavier sonata and the other late piano sonatas; the monumental Ninth Symphony with its choral finale based on Schillers Ode to Joy; and the Missa Solemnis . The last five string quartets and the Grosse Fuge , composed in his last years, are considered by many music lovers to be Beethovens supreme creations, and by some the most sublime music ever composed.

　　An extraordinarily prolific composer, Beethoven produced, in addition to the works mentioned, sonatas for violin and piano and for cello and piano; string and piano trios; music for wind instruments; miscellaneous piano works, including the popular bagatelle Elise ; over 200 songs; a number of shorter orchestral works; and several choral pieces.

　　Beethovens influence on subsequent composers has been immeasurable. Aside from his architectonic innovations and expansion of the classical sonata and symphony, he brought to music a new depth and intensity of emotion that was emulated by later romantic composersbut probably never surpassed.

　　以上就是關于貝多芬的SAT寫作經典例子的全部內容，非常詳細的介紹了他的生活以及作曲的過程。這是一個應用范圍非常廣泛的SAT寫作例子，大家在很多SAT寫作題目中都可以應用。