考研英語(yǔ)長(zhǎng)難句詳解
22. Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological，and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.(4)
雖然小說(shuō)無(wú)疑起源于政治情狀，但其作者則是以非意識(shí)形態(tài)的方式對(duì)這些政治情狀作出反應(yīng)的，而將小說(shuō)和故事主要地當(dāng)作意識(shí)形態(tài)的工具來(lái)探討，會(huì)在相當(dāng)程度上阻礙小說(shuō)事業(yè)。
難句類型：復(fù)雜修飾
解釋：本句從句子的結(jié)構(gòu)上來(lái)講，惟一的難度在于and之后的句子的主語(yǔ)talking about novels and stories primarily as instruments ofideology太長(zhǎng)，以至于看到謂語(yǔ)circumvent的時(shí)候已經(jīng)搞不清楚主謂了。更大的難度恐怕還在于對(duì)兩個(gè)詞匯的理解circumvent和enterprise。我們以前所背過(guò)的circumvent有兩個(gè)詞義，一個(gè)是規(guī)避，一是以計(jì)謀戰(zhàn)勝，但是這兩種意思放到此處都顯然不通;其實(shí)circumvent有一個(gè)我們沒(méi)有背過(guò)的最常用的意思是包圍、限制或陷害;至于enterprise常用的意思是企業(yè)，這里的指事業(yè)。
意群訓(xùn)練：Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological，and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.
22. Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological，and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.(4)
雖然小說(shuō)無(wú)疑起源于政治情狀，但其作者則是以非意識(shí)形態(tài)的方式對(duì)這些政治情狀作出反應(yīng)的，而將小說(shuō)和故事主要地當(dāng)作意識(shí)形態(tài)的工具來(lái)探討，會(huì)在相當(dāng)程度上阻礙小說(shuō)事業(yè)。
難句類型：復(fù)雜修飾
解釋：本句從句子的結(jié)構(gòu)上來(lái)講，惟一的難度在于and之后的句子的主語(yǔ)talking about novels and stories primarily as instruments ofideology太長(zhǎng)，以至于看到謂語(yǔ)circumvent的時(shí)候已經(jīng)搞不清楚主謂了。更大的難度恐怕還在于對(duì)兩個(gè)詞匯的理解circumvent和enterprise。我們以前所背過(guò)的circumvent有兩個(gè)詞義，一個(gè)是規(guī)避，一是以計(jì)謀戰(zhàn)勝，但是這兩種意思放到此處都顯然不通;其實(shí)circumvent有一個(gè)我們沒(méi)有背過(guò)的最常用的意思是包圍、限制或陷害;至于enterprise常用的意思是企業(yè)，這里的指事業(yè)。
意群訓(xùn)練：Although fiction assuredly springs from political circumstances，its authors react to those circumstances in ways other than ideological，and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise.
